You Can Pay Me Later: Husserl on Images.
Well, you will be surprised. I was.
Up till a month ago I had no idea that Edmund Husserl has written much about images. Not to speak about photography. Until I had a closer look in my bookcase and found this book: Edmund Husserl: Phantasie, Bildbewusstsein, Erinnerungen, herausgeben von Eduard Marbach, Husserliana Band XXIII, Martinus Nijhoff, 1980.
I am ashamed that I have to admit that I have had this book since April 22, 1980. On the other hand it might have gained considerably in value since it is still in mint condition. I paid Deutsche Mark 255,00 for it at that time. And that is a small fortune. It is a brick on 724 pages written with an obscure philosophical pen. Husserl’s pen. The major parts of it dates about 100 years back. Don’t let that disturb you.
The good thing is, that is was translated (yes, it was) by John B. Brough in 2005 and published in a paperback edition by German publisher Springer. Goes by the title: Phantasy, Image Consciousness, and Memory (1898 -1925). And it comes at a much better price. It’s a good read.
What is even better is that the book is absolutely amazing for anyone that intents to dig into the ontology of images and photography. So, it you plan to have a career as a university professor, or simply settle for a Ph.D., or have an interest in the arts in general, you should simply start with this book. It leaves Roland Barthes and Susan Sonntag in the back seat. Well almost. And it does so already a couple of pages into the book.
You should move NOW, since this book and this branch of research have hardly picked up yet. But it will. You could really take the drivers seat for a while even if it will probably leave you with a 700+ pages headache.
You don’t have to thank me for this recommendation now. You can pay me later. When I loaded both books to Library Thing a little while ago it turned out that I, so far, am the only one that have pointed to these books. And there are tons of books in there already. So the show is yours for the taking.
And as I said. You can pay me later, but if you are into this area either as a researcher, a student or just out of plain interest: GO FOR IT. I will – with some delay
You will find the precise references to both the original version from 1980, and to the translation from 2005 by following the links. Both ways you are in for a brick of pages.
NB: When you are done with Husserl’s theory on images and photographs you could always send me a quick word as to why the image below might have a certain phenomenological affinity
And, add a bit of semiological and gestalt psychological analysis while you are at it.
Good luck with both the books, and the picture.
All rights reserved.
Buy the English translation of Husserl’s work. Follow the link and support the site:
Phantasy, Image Consciousness, and Memory (1898-1925) (Husserliana: Edmund Husserl Collected Works)
May 20, 2008 - Posted by Knut Skjaerven | barebones communication, Hermeneutics, phenomenology | barebones, barebones communication, denotation and connotation, Edmund Husserl, gestalt psychology and phenomenology, image, John B. Brough, photograph, Roland Barthes, semiology and phenomenology, Susan Sonntag
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About
Barebones Communication started in December 2007.
The idea was to make a blog about communication combining different resources like phenomenology, semiology, gestalt psychology, etcetera, and to show that different orientations worked well together.
I started adding a photograph to each post, and gradually the blog became oriented towards photography as an expression of visual communication.
In 2010 I made a blog solely based on photography. It became Berlin Black And White. Today is holds 470 images. The same month I started Phenomenology and Photography, as I found that was a particularly interesting area and one that there was scarcely any attention on.
I became interested in street photography and decided to develop that area in a living combination of photography and photographic theory. That is what I still do.
Barebones Communication became the mother blog for a series of specialized blogs as well as several social groups.
I call it THE BAREBONES PROJECT since everything is so closely linked to the inspiration you find in this blog. All of it has to do with phenomenology. Not in any scholarly fashion, but as the craft of photography. More specifically S T R E E T P H O T O G R A P H Y. I find that this type of spontaneous and documentary photography have a special kinship with phenomenology’s L I F E W O R L D.
I would like to think that I, as a photographer, E X E C U T E phenomenology. To me a mere scholarly interest in phenomenology can never be enough to fulfill the original intentions of phenomenology as, first and foremost, a practical, living philosophy. Phenomenology is not for reading. It is for D O I N G.
If you have an interest in how the theoretical platform are being developed into practical guidelines for street photography, you are welcome to follow the ongoing projects. I would be honoured if you did.
You will find all the activities listed in the link section of The Raw Material. I will keep it up to date.
Good luck with it.
Copenhagen, March 10, 2012.
Yes, I am impressed. Barebones Communication has largely been left unattended since mid 2010. It still runs incredibly well. The average views in 2111 were 68 a day, the same as in 2009. The most views on a single day were February 13, 2012 with 435 view.
Many thanks to all those who persistently use this blog. With this new introduction you have an opportunity to follow the many branches that has grown from it. Barebones Communication is still very much alive even if more goes on the sites that have sprung from it.
This year Barebones Communication with turn 100.000 visitors.
I really like your Venn representation of phenomenology
Hi
My name is Mary Edwards and I’m a doctoral student at the University of Florida studying educational technology. My cohort of doctoral students is creating resources pages using google groups and I’m designing a page about phenomenology and the phenomenological approach to research.
I really like your venn representation of phenomenology and request permission to add it to my page (image attached as a bitmap for your reference). Our google group site is limited to Ed Tech doc students and requires an administratively distributed password.
Thanks for your consideration.
Mary
Mary Edwards, MLIS
barebones’ Venn diagram
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